Diana as a charrie

Name: Diana
Gender: Female
Myth: Roman
God/goddess/Titan/titaness of: Goddess of hunting, moon and birthing
Father (if any): Jupiter
Mother (if any): Latona
Siblings (if any): Apollo
Children (if any): N/A
Picture of modern form:

Spoiler:

Animal: Doe
Symbol: Doe and bow
Husband/wife: None
Powers (if a made up god): None
Notes: None
Ancient picture:

Spoiler:

Flaws (2): Extremely tempered and too headstrong
RP example*: I was hunting this doe and it tried to escape. Not that it had any chance against me anyway. I got my golden arrow to shot "Come on hun! Stay still and you'll be served at a fest" I whispered as I shot. I missed as the doe was hit by another arrow first "What the?" I asked and looked at the direction from where the arrow came. A young man showed up "I was going to hit that" I shouted and caught him off guard. "I am sorry! You can have it if you want" he said smiling at me. I was quick to answer "No need! I hunt for the fun of it either way"
Personal history*:The persona of Diana is complex and contains a number of archaic features. According to Dumezil[3] it falls into a particular subset of celestial gods, referred to in histories of religion as frame gods. Such gods, while keeping the original features of celestial divinities, i.e. transcendent heavenly power and abstention from direct rule in worldly matters, did not share the fate of other celestial gods in Indoeuropean religions - that of becoming dei otiosi or gods without practical purpose,[4] since they did retain a particular sort of influence over the world and mankind.
The celestial character of Diana is reflected in her connection with light, inaccessibility, virginity, and her preference for dwelling on high mountains and in sacred woods. Diana therefore reflects the heavenly world (diuum means sky or open air) in its sovereignty, supremacy, impassibility, and indifference towards such secular matters as the fates of mortals and states. At the same time, however, she is seen as active in ensuring the succession of kings and in the preservation of humankind through the protection of childbirth.
These functions are apparent in the traditional institutions and cults related to the goddess. 1) The institution of the rex Nemorensis, Diana's sacerdos (priest) in the Arician wood, who held the position till someone else challenged and killed him in a duel, after breaking a branch from a certain tree of the wood. This ever open succession reveals the character and mission of the goddess as a guarantor of kingly status through successive generations.[5] Her function as bestower of authority to rule is also attested in the story related by Livy in which a Sabine man who sacrifices a heifer to Diana wins for his country the seat of the Roman empire.[6] 2) Diana was also worshipped by women who wanted to be pregnant or who, once pregnant, prayed for an easy delivery. This form of worship is attested in archeological finds of votive statuettes in her sanctuary in the nemus Aricinum as well as in ancient sources, e.g. Ovid.[7]
According to Dumezil the forerunner of all frame gods is an Indian epic hero who was the image (avatar) of the Vedic god Dyaus. Having renounced the world, in his roles of father and king, he attained the status of an immortal being while retaining the duty of ensuring that his dynasty is preserved and that there is always a new king for each generation. The Scandinavian god Heimdallr performs an analogous function: he is born first and will die last. He too gives origin to kingship and the first king, bestowing on him regal prerogatives. Diana, although a female deity, has exactly the same functions, preserving mankind through childbirth and royal succession.
F. H. Pairault in her essay on Diana qualifies Dumézil's theory as "impossible to verify".
Dumezil's interpretation appears deliberately to ignore that of James G. Frazer, who links Diana with the male god Janus as a divine couple. This looks odd as Dumézil's definition of the concept of frame god would fit well the figure of Janus.[8] Frazer identifies the two with the supreme heavenly couple Jupiter-Juno and additionally ties in these figures to the overarching Indoeuropean religious complex. This regality is also linked to the cult of trees, particularly oaks. In this interpretative schema, the institution of the Rex Nemorensis and related ritual should be seen as related to the theme of the dying god and the kings of May.[9]
Notes:

Approved my friend